Monday, December 17, 2007

ALONDRA SMILES SCREENING

(Originally posted on my MySpace blog back in 2007)

Well, here we are.... a day later and I'm still buzzing.

On Saturday December 15th, the feature film I edited (Alondra Smiles) was screened before a packed theater.  Needless to say, I was a nervous wreak!



Hey, that's me!
For a film I stumbled blindly into, I never expected to be so nervous on opening night.  I was a hired gun on this project, brought in long after the film was shot.  I would be working from a script that I had no input in.  Using an assembly edit I had never seen before.  It was a completely new experience for me.

I started work on the film in August 2006.  The Producers/Writers were very gracious, giving me my privacy to re-sculpt the film.  Changing the pace and sometimes, deleting entire scenes that felt padded.  Over the course of several weeks, editing late at night after work (on a diet of Cheetos and Diet Coke), I had completed my first pass on the film.  What followed was several more weeks of working closely with the Director, tweaking the movie here and there.  At one point, I suggested shooting a small bit that would help make one scene flow smoother.  A few weeks later, they went out and got the footage I needed to make that scene complete.  By early 2007, I was done.  The Producers were now going to send the movie out for scoring, grading and some other bits that didn't require my hand.  I left the project, feeling fulfilled.

While working on the film (and soon after), I was making major adjustments to my life - Editing out people and situations that were negatively effecting me.  I set out to change my life, making it better for both myself and my family.  Breaking out of my comfort zone, I quit my editing job and started work in the Theme Park Industry.  It was shaky at first but after a few months of plugging along, I started earning more money than I ever had in my life!  All that negative energy that surrounded the people I cut out of my life was gone.  I was a new man.  Life was fantastic!

Summer 2007: I got a call from the Producers.  They had some ups and downs but finally got the film (virtually) completed.  They asked if I wanted to come in and give the film another pass before it was locked.  They especially needed to re-adjust some scenes that they couldn't get the music rights for.  So once again, I returned to Alondra to give her a final shine.  They asked if I could stretch out the header and footer of a few scenes because they wanted to add a couple of cool transitions to them.  Looking back, I almost wish I didn't.

Anyways, after that final edit, I was done with Alondra Smiles.  I walked away (again) feeling fulfilled.

Cut to December 15th.  I'm nervously pacing around the lobby.  I walk past the familiar faces of the film's cast.  None of them have ever met me before and I'm way too nervous for introductions.  I stumble around the lobby, waiting for everyone to enter the theater.





I don't know who most these people are!
Once they're in, I take a seat WAY in the back.  I believe I'm the last person to enter the theater.  The lights dim and the movie begins.  I hold my breath throughout the film.  Waiting a beat before every moment, hoping for the proper response from the audience. Thankfully, for the most part, they respond exactly has intended.  Either I'm really really lucky or I (sort of) know what I'm doing.

This was the first time I had the chance to watch the completed film with sound, music and color added to the mix. Well, it certainly looked like a movie!  I soon notice that the "cool" transitions were never added to the final cut.  Some scenes needlessly hold for an extra second before cross fading to the next scene.  I'm mortified.  I contemplate leaving the theater before the audience turns to attack me.  Realizing that no one on the planet other than me (and probably several thousand other editors) would even notice the extra beat here and there, I decide to stick around.


AFTERMATH:

There was a reception afterward and I was finally calm enough to meet the people whose faces I've stared at on a monitor for six months. Everyone one was extremely nice and very positive about the movie.


The Editor and the Director
It was nice to chat and talk about what the next step was. It was also nice to get my ego stroked by so many people. That's something I'm definitely not use to - Strangers telling me "Good job."  It's like I died and went to Back-Pat Heaven.

Before I left, I received a copy of the movie poster to hang up in my office.  Not too shabby seeing your name in print.


Big thanks to Conchita and Juan! Without them, I never would have had this opportunity to do something so.... unlike what I usually do (There was no cursing or punching of dictators). It was definitely a chance to spread my wings. 

I just wish I had one more chance to tweak the final edit. Just one more chance.

C'est la vie.  What's done is done.


Copyright © 2007 by Andrew Rubio

Thursday, August 23, 2007

ODE TO THE ASSHOLE PRINTER

(Originally posted on my MySpace blog back in 2007)


I thought this little ditty up at the office today.

*******************************************************************

ODE TO THE ASSHOLE PRINTER

Ode to the asshole printer.
The bane of my fuckin' life.

Hate you. How I hate you. 
Hate you with all my soul.

I know I'm supposed to rhyme.
But I can't even do that now I'm so pissed at you.

I only ask that you print something.
Why do you constantly suck?

What's with all the God Damn paper jams?
It's not like this is fuckin' new!

You're supposed to print!
You're a PRINTER!! 

PRINT!!!!

Fuck you, HP Warning box!
I know the door is fucking open!!

I put a bucket of ink in yesterday!
Why can't you just fuckin' print!?!

Now what the fuck are you printing!?
I wanted that yesterday!

You piece of shit fucking printer!

I swear I'll kill you!

Fuck!!!

I can't even print this stupid poem out!!!

God, how I hate you.

*******************************************************************

Thank you.

We now return to our regularly scheduled blog.


Copyright © 2007 by Andrew Rubio

Monday, August 20, 2007

THE STORY OF THE MAKING OF LOSS OF MUFFIN

(Originally posted on my MySpace blog back in 2007)


It was June 2003, during one of our Three Monkeys Worldwide "production" meetings, when the idea for Loss of Muffin came to be. 

We were just a few months out from shooting Punching Hitler. We had just lost Penn & Teller as our stars (a story for another time) and were trying to figure out how we were going to pull this off without them. The other problem we were dealing with was what to shoot Hitler on. The previous September, we shot our Short The Meditation on a Canon XL-1 and weren't too impressed with the quality of the image (nor of the Short!). It was just three months later that we got our hands on the Panasonic camera but at the time, we were really worried.

Well, I was worried. Ed was of the opinion that as long as the script was good....it wouldn't matter what we shot on. I thought otherwise (it has to look good or it won't be taken seriously). So to prove his point, he was really hot on shooting something over the weekend using his itsy-bitsy camera (a one chip something or other). Scott and I joked around with him and our Hitler production meeting became a "What should Ed shoot this weekend" meeting. 

At some point, Ed told us a joke with a silly, turn-of-the-century punchline that made us snicker. Fueled by that "laughter," Ed had the idea for his Short. And to make it even kookier, he would say it was adapted from something written by Edgar Allan Poe (who he was reading the collected works of). But which story to use? In the end, we chose ALL of them (in the credits, the title reads Based on the collected works of Edgar Allan Poe. Snicker!). But which official title to use? Thumbing through the table of contents, we found a winner - Loss of Breath. A Tale Neither in nor Out of Blackwood. Edgar be praised! We had our Short!

Ed made me swear on the lives of my children to edit whatever footage he shot. Not thinking he was serious, I said okay and the meeting was over.

The following Monday, Ed gave me a DV tape with raw footage. The nut actually did it!! So now I was sworn to edit the damn thing! I loaded the footage in and quickly cut something together with a basic scratch track (using the soundtrack from Four Rooms). I also made a horridly long end credit sequence (using music I really wanted to use in The Meditation but Ed refusing to let it in). 

I dropped a VHS copy off with Ed two days later and let him review it. Apparently, he loved the flow of the project and wanted to work together on the final edit. He found a music track by Uber Superstar Sayed Sabrina to drop into the project and came to the edit bay the next day.

Using Soundtrack & Garage Band, Ed and I finished the rest of the music (becoming Three Monkey's official composer - Mark Andrews) and we dropped it in. We threw in some sound effects, I did some tightening and a few hours later...we were done. We had a completed Short.

Or so Ed thought. After all, this wouldn't be a Three Monkeys Worldwide production without the input of the Third Monkey. The next day, I called Scott in and we set to work on fine-tuning the "outlandish" end credits. Amusing mostly ourselves, we thew everything in including the kitchen sink. With that done...it was a wrap!

We submitted it to a few places and actually won an award (Best Comedic Short Under 5 Minutes). Who knew?

Now that the experience is 4 years in the past, I look back at Loss of Muffin with fondness and nostalgia. I didn't realize it at the time but Muffin was the first project in a really really really long time that felt like the "good old days." You know. Those days when a friend would call you up and say "Hey! You wanna shoot something this weekend?" and you say "Yeah! But what?" and your friend says "Who cares? Let's shoot!" then you race out the door. Making a Short hasn't felt that carefree in a long time. It's all based on schedules and budget and actors and producers and etcetera now. It was nice to goof around like that again.

I hope you enjoy this exercise in fooling around with no real intent.

Now....why "Remastered," you ask? (You'd better ask! I'm not typing all this shit for my health!)

Once Muffin was done, I mastered it onto a DV tape and forgot about it. Years later, I discovered the DV tape was faulty and the sound had several audio drop outs. And when I say several, I'm being very generous. It had TONS of drop outs. I always said that one day, I would go back and fix it. Of course, I never really meant it!

Cut to a couple of weeks ago. I was thumbing through Ed's CD collection and found a very small, mpg version of Loss of Muffin....with NO AUDIO DROP OUTS!!!! Apparently, this was a copy of something I gave him years ago before dumping the Short out on the crappy DV.

Re-loading the Short back into the computer and using this new-found audio, I remastered Muffin back to it's original "glory". The thumbnail version had it's share of problems so I only used that audio to cover up any drop outs from the original. And boy-oh-boy, was there plenty to cover up. Overall, this solution worked 90% of the time. There are a few glitches that couldn't be completely fixed but...I'm happy with it now.

So there you go. The story of the remastered Muffin. It'll never be perfect (heck, it never even started out perfect!) but it's finally done.



And...did I mention we won an award for it? I did? Oh. Well....whatever!




Loss of Muffin copyright © 2003 by Three Monkeys Worldwide

Blog copyright © Andrew Rubio